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Awards Film Festivals RSVP

Making APPLES in 48 hours, and the Massachusetts Independent Film Festival

Bee Nest was honored to have RSVP nominated for 3 different awards at the Massachusetts Independent Film Festival; Best Screenplay, Best Director, and Best Short Film. Needless to say, Ryan and I were going to be sure to ‘beeline’ or Bee Nest butts up there to Cambridge! But before heading to the festival, we hatched up a plan with our producing partners Lance Marshall and James Oxford at Watergun Outlaw Productions, to challenge ourselves with a 48 hour filmmaking frenzy. To be honest it wasn’t frenzied at all- I wrote that just for the sake of alliteration. But it was a challenge, albeit, a totally fun one!

We all went to a house about an hour outside of Boston, clicked a link and activated the 48 hour countdown clock for the short film challenge James had signed up for. We had two days to write, shoot and edit a short film – and we did it! We even had time to eat a nice baked potato dinner. Not too shabby. We really did it to challenge ourselves and have some fun, and we were fully expecting the film to be something we would bury from the light of day, but to our surprise we actually ended up making something that we really got a kick out of and are proud of. We titled it APPLES, and I would describe it as a thriller/creeper-comedy. And apparently the judges of the film challenge that our little 48 hour film had merit too, because, out of thousands of submissions, they selected it as one of their 16 finalists. They even awarded me with a Best Actress Award recently, and I am being completely honest when I say that was the last thing I was expecting. See the film here:

After we wrapped on our 48 hours of filmmaking, the four of us made our way to Cambridge to screen RSVP with the wonderful people who organize the Massachusetts Independent Film Festival. We met some amazing people at the opening night party, in particular, the vivacious ladies who run a non-profit named Bianca’s Kids. Debbie, Gabriella, Vanessa, and Maria were there to screen a documentary about how Bianca’s Kids came to be, and it a worthy story to be sure. We all joined them for the screening of their film, which celebrated the good that can be cultivated from devastating loss. It was a blessing to meet them, and laugh and cry together.

Our film, RSVP, was screened before a wonderful feature film that was made in Maine, titled NEPTUNE. We felt really honored for them to have programmed us with such a beautiful film. And the audience responded really well to RSVP. Tears and heart felt comments and questions during the talk back after certainly do quite a bit to boost a filmmakers spirits. They were a lovely crowd and we were so happy to be able to share our film with them.

Next up was the award ceremony, AND! ….we did not win. Hahaha. But as they say, it is always the biggest honor simply to be nominated 🙂 Being recognized in so many categories really did put a nice wind in our sails regardless. The biggest prize was getting to spend quality time with Lance and James, meet lovely people, and dig into some DIY creativity. After all, we all got into this business because we loved playing make-believe as kids! It’s nice to know that we don’t ever need to give that up as adults; it’s what we do best!

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Film Festivals RSVP

Bee Nest Films at the Macon Film Festival

Have you ever been traveling and arrived at a destination and immediately felt, “Wow. This feels like home.” Macon, Georgia delivered that ‘warm hug’  recognition to Ryan and I right of the bat. The Macon Film Festival is now cemented on our list of festivals we will always submit to, and always make a point of attending.

I’ll start from the beginning – our short film RSVP was accepted into the Macon Film Festival which took place this past week ( July 21-24) and we knew we wanted to head down to Georgia to attend because we’ve been wanting to get a feel for the Atlanta area, which has increasingly become active with film and television projects over the past 5 years. The prospect of being able to create somewhere and also live a comfortable life with a reasonable cost of living, seems almost like a mythical dream come true. Not to mention that Ryan and I are both originally from Florida, so being in a more accessible spot to the south east, that also has one of the largest international airports is also a major plus in our eyes.

We arrived a day early, and spent it in Atlanta’s Little Five Points Neighborhood. We were wooed pretty quickly. We had lunch at the Porter Beer Bar, and enjoyed a meal that was way more sophisticated, well prepared then one might expect from a place with “Beer Bar” in its title. We’re talking home-made curry infused pita with cauliflower falafel and the BEST garlic fries I’ve had in my life – Kimchi short rib philly cheesesteak, what!? Crazy. Delicious.  We walked around the neighb and loved the diversity, creative spirit, and warm hospitality. There were theatres featuring Breckt, and an original musical called Da Kink in My Hair – In just a few hours we understood how Atlanta is quickly becoming a city deserving of all of the attention it has been receiving.

We then made our way down to Macon, a 90 minute straight shot down from Atlanta.  We opted to rent an AirBnB in historic Macon in order to get more of a feel of the place, and we were glad we did. Right off the bat “intown” Macon blew us away in the architecture department -street after street of gorgeous, unique antebellum homes and blocks of turn of the century brick commercial buildings.  Basically a period film location scout’s  dream come true. On the block of the house we were staying in, there was even an adorable “free little library” that had a selection of books and magazines people could read and return. HOW CUTE!

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Even our AirBnB hosts, Nathan and Koryn, were huge fans of the Macon Film Festival!
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‘Pretty in Pink’ Themed Opening night Party

The next day, the festival officially began with a Short Film Master Class hosted by The Sundance Film Festival. Mike ___ the head short film programmer at The Sundance Film Festival, gave us all a behind the scenes glimpse at what stands out to them when choosing film film to screen at Sundance. He made it clear the the most important things to them were story and compelling performances – did it make you think? Did it make you feel? Flash and star power do not play a part in the decisionmaking process for short films. But what does play a big part in the process is length. He told us that the average film is 12 minutes long, and that if a film is 20 minutes, it really has to be so good it is able to beat out two films that are ten minutes long, so you are definitely increasing your competition when submitting a longer short film.

One way or another the competition is incredible steep. Mike told us that they received over 8,000 entries this past year. He and his team watch all of the film over the course of the year, and narrow them down to a couple hundred that they like and could see potentially programing into the festival. He said that it is this small percentage of films actually receive an email from the team saying that they liked the film but that due to the large number of submission and the limited number of spots, they were unable to program it. Ryan and I got a little boost to know that we did receive one of those email when we submitted RSVP to Sundance. Top 3% is not too shabby for your first film. I’ll take it 😉

Mike also interviewed James Ponsoldt, who directed The Spectacular Now and The End of The Tour.  James shared insights he’d collected from his childhood in Athens, Georgia, as a student at Columbia University in a post-911 New York, and as a first time director navigating self-doubt and learning from his peers. Having a successful and talented director share that real, beneficial growth comes from the failures that ‘destroy’ us at the time, served as a valuable reminder for all of the aspiring filmmakers in the group.

After the workshop, both Mike and James joined the attendees for a catered reception, and have the ability to speak with these respected and accomplished men one on one was an incredible opportunity. Major props to Sundance and the Macon Film festival for making it happen and providing such value to its filmmakers and community.

The Macon Film Festival screened our short film RSVP twice, and both times I was moved by the diverse audience’s heartfelt feedback. This was the first festival which we screened twice at, and I think getting all of those people to attend the screening was in large part due to the fantastic job that the Macon Film Festival’s PR staff did. Headed up by Terrell Sandefur, MFF’s publicity team arranged interviews, and parties, and documentary photos that elevated the festival in the minds of the community so that every local person we ran into was  excited about the festival and interested in our film.

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I will be honest though, the BEST part of that reception was meeting the festival’s photographer Maryann Bates. A long story made as short as possible: Maryann has a son named Ryan who looks almost identical to Beenest’s Ryan! Plus a whole avalanche of other uncanny connections and similarities revealed themselves! Maryann became a dear friend in only a matter of a few days, and if there was one thing that I could use to characterize the spirit of the Macon Film Festival, it would be that. That Macon has a remarkable way of making you feel like you are a long lost relative home for a reunion. This community of accomplished artists and creatives have created a tightly woven fabric in Macon, and if you are lucky and have an ounce of goodness in you, then they will welcome you in and allow you to experience first hand, the vibrant family which they have built in this charming pocket of Georgia.

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As a special thanks we put together a little love note to Macon. Hopefully it will help other people discover this little town full of of heart, character and history.

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Film Festivals RSVP

Bee Nest Films at The Maui Film Festival

Six years after Ryan and I got married, we sublet our apartment in New York and spent two months living on the Hawaiian Island of Maui. We lucked out in finding a cabin in Makawao, a ranching town on the slopes of Haleakala, that rented for a little less than what we were getting for our place in NYC. Our jobs were remote and we continued to work while there, but our days were sprinkled with watching sea turtles surf in the reef break on the north shore, and hiking through the lunar lava landscape in La Perouse, and gathering footage in windswept sugar cane fields and ancient upcountry eucalyptus forests.

In the last week of our residency, we were purchasing gifts for family at a local shop, and we noticed our bill was much lower than what it should have been, when we asked, the shop owner told us that she had assumed that we were locals and had given us the coveted “ locals discount”. To say that Ryan and I were honored by this assumption was a real understatement.

We joked with each other, “ You know what we’re gonna do!? We’re gonna make a film and submit it in the Maui Film Festival and we’re gonna come back here some day! That’s what we’re gonna do!”

We said this, having never made a film.

We laughed and had a lot of fun with how “out there” this fantasy was.

And then, this May, we got a call from a Maui area code with the news that our crazy fantasy had become a reality. 6 years after our first experience in Maui we would be returning as guest of Maui’s magical and life-affirming festival to screen our first short film, RSVP,  an allegory that expresses our hope for people of faith to Fully Affirm the LGBTQ community.

After sleeping on the floor of LAX during our 8 hour layover, we arrived in Maui. And oddly enough, it felt like only a few months had passed since we were last there.

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That first night we attended an event hosted by the Maui Film Festival, called the Taste of Summer. Despite being pretty loopy from jetlag and traveling for the past 20 hours, we had smiles that couldn’t be wiped off our faces. Paradise has a way of doing that to you.

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We screened RSVP at the Castle Theatre at the Maui Arts and Cultural Center which was beautiful space.  And we were honored to screen before the feature length documentary STRIKE A POSE, which explores the journey of Madonna’s backup dancers during the height of the AIDS crisis.

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There is truly an intangible magic to Maui, a feeling that I can only really ascribe to the fact that the Islands of Hawaii are still alive and being formed. Their continual birth, so far removed from the mainland and the rest of society, prompts you to undergo a similar expansion of self. Its natural beauty is almost confrontational, as if to say, “How can you not see all of this as the miracle and blessing that it clearly is?”  And so you take a good look, and become overwhelmed by how true that is: That you, and everything around you, is a gift.

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Ryan and I drove the “back way” to Hana and came upon a historic church. We took the opportunity to hoist a Pride Flag in order to express our belief that Jesus would definitely make room at his table for the LGBTQ community. And that he implores us all to do the same. He told us what  his greatest commandments were. Now it is time for all Christians to really treat them as such.

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Matthew 22:36-40

36 “Teacher, which is the greatest commandment in the Law?”

37 Jesus replied: “‘Love the Lord your God with all your heart and with all your soul and with all your mind.’38 This is the first and greatest commandment. 39 And the second is like it: ‘Love your neighbor as yourself.’ 40 All the Law and the Prophets hang on these two commandments.”

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Film Festivals RSVP

Bridging the Gap

While attending the Silver Springs Film Festival this past week, we had the pleasure of speaking to several film goers about how our film, R S V P, resonated with them.

 

When we set out to make R S V P we had the desire to attempt to bridge the gap that often exists between the Christian community and the LGBTQ community. The vast diversity that exists within each of these communities is what makes them so vibrant and dynamic, and it also makes it a bit daunting as a filmmaker to effectively speak to each of these communities in a mere 13 minutes of narrative! Coming to terms with the fact that your film is not going to resonate with every film-goer is the biggest gift you can give yourself as a filmmaker. Without a doubt, you will win some and you will lose some, and I am realizing more and more everyday, that if you aren’t losing some, chances are, no one is being effected! And the journey of storytelling is made worthwhile by just one individual having an experience that potentially shifts their perspective. This truth has really helped me release a lot of the fears I had as a first time filmmaker.

 

And then there are the moments when you are gifted with someone sharing their experience with you that coalesces all of the intentions you held when your set out to make your film. A moment like that, I recently realized at the Silver Springs International Film Festival, gives you chills to say the least! A little, or not so little, reminder to stay on your path.

 

My experience with this came when a young family shared their thoughts about R S V P with me: A 10 year old girl and her mother both saw our film at the screening at the Marion Theatre in Ocala, Florida and they said they were both very moved. This girl’s Mother told me that her daughter rushed home and insisted that her father see our film as well. She and her mother brought him back to the festival the next day to watch our short on SSIFF’s “Deep Dive”, which is a bank of computers with digital files of all of the films being screened at the festival, so people could watch films they may have missed in the theatre. He was moved as well. When the three of them came up to Ryan and I at the festival banquet dinner, they said, “ Thank you for making this film. We are Christian, Southern Baptist to be exact, and your film spoke to us – No matter what some people, or the (church) leadership may say, it is up to each of us, each individual Christian, to share the true love of God and affirm, value and love all of our brothers and sisters.”

 

Tears came to my eyes. My hands instinctively clasped my heart. This is why I made this movie. And to hear it come from a person’s mouth, made every bit of this journey thus far, worthwhile.  
I know some people are probably going to really not like my film for whatever reason. And that is ok. When I can look into the eyes of someone who is part of the LGBTQ community and we hug  and they say, “Thank you for making this film” and also receive a hug from a devout Christian and hear the same thing, that is when I know there is potential for a bridge to exist where there may not have been one before.

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Film Festivals RSVP

Mississippi Hearts Breaking

I write this in light of hearing the upsetting news that Governor Bryant of Mississippi signed a bill into law that is breaking hearts all across this nation, and particularly in Mississippi. The BeeNest team recently screened our short film R S V P at the Crossroads film festival in Jackson, Mississippi. R S V P is an allegory that expresses hope for the future of the church to become more affirming of the LGBTQ community. The people we met and encountered in Mississippi were overwhelmingly kind, generous, and gracious, which makes such a bill all the more saddening.

The 1523 Bill is a devastating piece of legislation that  leaves gaping holes open to be abused by those who harbour bigotry in their hearts, and what is the most disturbing and vile is that it allows those individuals and organizations to cloak their discrimination as “religious freedom”. Their hatred and mistreatment of others thereby can not be held subject to the due course of the law. History will not look kindly upon the lobbyists and states and political leaders who write, pass, and uphold such poor excuses of constitutional law.

The legal arguments for why this is a reprehensible piece of legislation fill a list as long as the line will be for the fair-minded businesses to leave such states. But given Bill 1523’s repeated referencing and protection offered to certain “sincerely held beliefs”, I felt it would be helpful to remind lawmakers, and anyone who may be inclined to abuse the loop-holes within this bill, of the Greatest Law, “Love your neighbor as you love yourself.” This – As a Christian –  Above All Else – Should be the most “Sincerely Held Belief.”

Romans 13:10

Love does no harm to a neighbor. Therefore love is the fulfillment of the law.

We are all in agreeance that Religious Freedom is a profound and indispensable asset to the Democracy of our United States of America. It has afforded us a safety and expression that allowed our country to foster a diverse and rich melting pot that supports moral exploration and spiritual enrichment. This freedom, however, does not equal carte blanche discrimination against other peoples when attributed to a religious belief. The separation of church and state is a two way street which allows for the protection of the church from governmental corruption or coercion, and equally so, a protection of the civil liberties and human rights upheld by our nation’s constitution.

The LGBTQ community, as a majority, does not wish or desire to force religious organizations that do not affirm their same-sex unions to perform their marriage sacraments.  The lobbyists who are writing these bills and planting unfounded fears of unaffirming Pastors and Priests being forced to do so, out of fear of being sued, is frankly ridiculous. A county clerk, on the other hand, needs to be capable of upholding the law, just as a doctor must be held to upholding their Hippocratic oath.

In regard to commerce related services, such as wedding cakes and so on, such bills may protect a bigoted baker from being sued for not making a cake for a same-sex couple, but my prediction is that they will not be so well  protected by the free market. I advice we petition to require such businesses, that choose not to offer services to certain people, to clearly label themselves as such – thereby allowing same sex couples to avoid the pain of being turned away by snide comments or bigoted remarks, and this also acts as a call to action for the community at large. The LGBTQ Community, Straight Allies and other Fair-Minded Businesses will be able to make an educated choice as to where their dollars are being spent, and in their support of ending discrimination, they will be able to consciously support businesses that do not practice discrimination.

When it comes to Landlords, Employers, Health Care providers, State and Federal employees, and a whole host of other service providers in states that pass these “religious freedom” bills – discrimination of any sort should be deemed inadmissible by our federal constitution. The only protection that should be afforded would be for a clergy member to not suffer legal recourse if they choose not to facilitate the marriage sacrament for a same sex couple. The end. The buck stops there.  A religious organization should still be upheld to recognize the legal validity of a state issued marriage license.

Thankfully, there are many clergy members who would gladly, and with the love of God, preside over the sacrament of marriage for same sex couples. And there are many more clergy members and faithful Christians who find the discrimination latent within such “religious freedom” bills to be a deplorable abuse and/or complete disregard of the teachings of Christ.

A truly faithful Christian baker who happens to not yet be capable of seeing the validity of a same-sex union would, when presented with the request to bake a wedding cake for a gay couple, would defer to God and his infinite mystery and wisdom, and know that according to:

Galatians 5:14

For the entire law is fulfilled in keeping this one command: “Love your neighbor as yourself.”

This Baker would know that by sharing God’s love with this couple, that he/she has fulfilled his or her duty as a faithful follower of Christ. He or she would know that we are incapable of sharing God’s love if we harbor thoughts of judgement toward others, and/or if we project thoughts of judgment of others onto God.

This bill has been labeled with the term “Religious Freedom” yet, with a strong conviction, I observe it to be more accurately described as “ Religious Hijacking which makes Causalities of the True Teachings of Christ”.

1 John 4:7

Dear friends, let us love one another, for love comes from God. Everyone who loves has been born of God and knows God.

BeeNest Films at Crossroads Film Festival in Jackson Mississippi
BeeNest Films at Crossroads Film Festival in Jackson Mississippi

Pictured Above Left to Right: Bonnie Blue Edwards– Director of OUT IN ALABAMA, Ryan Jonze– Actor in RSVP and Co-Founder of BeeNest Films, Lance Marshall– Actor in RSVP and Co-Founder of Watergun Outlaw Productions, Shannon Beeby– Writer and Director of RSVP and Co-Founder of BeeNest Films, James Oxford– Co-Founder of Watergun Outlaw Productions,  Jenni Smith– Board of Directors of Crossroads Film Festival, Casey Parks– Director of THE BALLAD OF LITTLE PAM, Robbie Fischer– President of Crossroads Film Festival

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Awards Film Festivals

RSVP Wins at Cinema on the Bayou Film Festival

Shannon-Beeby-RSVP-Award-Cinema-Bayou-Film-Festival_Bee Nest Films and Watergun Outlaw Productions had the recent pleasure of attending the Cinema on the Bayou Film Festival in Lafayette, Louisiana last week, as well as the honor of being the benefactor of a “Goujon Caille” (Golden Catfish) award for Bee Nest’s narrative short film, RSVP.

After the screening of RSVP, a talkback was held, wherein the audience’s reaction reinforced the small independent short film’s emotional impact. Mrs. Beeby spoke about her motivation for making RSVP, “I hope to share something that is unapologetically sincere. Sincerity can be a scary thing these days. It isn’t always the best way to get in with “the cool kids” But, I had to be honest with myself, and accept that I would rather be un-ironic or ‘uncool’ in favor of telling a story that is sincere and has the potential to heal and unify.“

BeeNest Films central storytelling goal is to use the art form of cinema to prompt a shift in perspective. This goal is also motivating BeeNest’s festival submission strategy. Executive Producer, Ryan Jonze shares the production companies approach, “RSVP has an ability to really resonate in areas that have a strong history and relationship with the Christian faith, for example, the South or more rural areas. This is because the pain caused by the friction between Conservative Christianity and the LGBTQ Communities is still very present. RSVP invites the viewer to confront and feel something that is still very difficult for a lot of communities in this country to explore in an empathetic way.”

At the Closing Night Ceremony for the Cinema On The Bayou Film Festival, the organizers, Rebecca Hudsmith and Pat Mire, awarded the RSVP Team with a beautiful “Goujon Caille” on behalf of the festival’s jury panel. The metal statuette is hand-made by cajun artist Andre Juneau, and evokes the whimsy and charm of Lafayette perfectly. After the ceremony, and as a Zydeco band played and everyone celebrated with beers and bourbons in hand, the 2016 Cinema On The Bayou Film Festival danced a rousing ‘good bye’ waltz into the night.

It’s also very much worth noting that the RSVP troupe had an amazing time in Lafayette, made even more special with their time spent at the eclectic cafe, TRIBE Collective. When not attending screenings at the Cinema on the Bayou film festival, lead actor, Lance R. Marshal, Mrs. Beeby and Mr. Jonze found themselves hanging out and eating the delicious, raw, vegan treats at TRIBE Collective. Co-Owner Melodie Carbuccia and Manager Walt Jamison opened their doors and their hearts and gave the RSVP team the gift of true Cajun kindness and hospitality, all served up in on a plate along side delicious whole and vibrant food. “The only thing missing”, said Marshall, “is the presence of our Producer, James Oxford and the rest of the RSVP team”.

TRIBE Collective Vegan Raw Food Lafayette Louisiana

And on that note, if you ever find yourself in Lafayette, Louisiana – whether for the Cinema on the Bayou Film Festival, the music scene or any other reason to visit Lafayette (there’s plenty!), you must do yourself a favor by stopping in at TRIBE Collective and trying as many of their mind-blowing raw treats as possible!

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Film Festivals

Post Production and the Stamped Film Festival

STAMPED_01Anyone who has made a film before knows just how challenging and important the post-production process can be. While a looming festival submission deadline can serve as a great motivator in getting your film finished by a specific date, we decided from the very beginning that we would not take any post-production shortcuts. Luckily for us, we had a great team on board, and no major time constraints to get the film finished for the major festival deadlines.

We want as many people to see RSVP as possible – and now that it’s finished – this means getting it out to the film festivals. And not just the most well-known festivals. Our strategy from Day One has been to get RSVP in front of crowds who will be moved and challenged by the message this film imparts. So, in addition to the major film festivals, we are seeking out festivals in communities that we believe can stand to benefit from the themes RSVP presents. In addition to LGBT communities – and probably even moreso – this includes communities that have been silenced by powerful religious movements. As the film’s tagline says, this is “A Different Kind of Coming Out Story”.

RSVP’s writer/director, Shannon Beeby, is from the South (Pensacola, FL), which is where a lot of the films inspiration is drawn from. In fact, we intended to shoot RSVP on the beaches of Pensacola. But alas, being that our filmmaking community is based in New York City, we opted for the beaches of East Hampton.

All of this backstory is necessary, because when Mrs. Beeby happened upon a relatively new LGBT-themed film festival based in her hometown of Pensacola – the STAMPED film festival – she couldn’t imagine a better place to have the film premiere. And despite RSVP still in its unfinished post-production stage and having already missed the late deadline for the festival, we submitted it anyway, along with a note that promised all unfinished post (mainly color and FX) would be completed in time for the festival if they chose to let it in. And despite having already programmed opening night of the festival, the STAMPED board members held a vote and added a spot for RSVP on opening night.

Two of STAMPED’s board members, David Newton and Public Radio Content Producer, Lindsay Rae Myers (who interviewed Mrs. Beeby…a sound clip of which can be heard here) were instrumental in making STAMPED a huge success and a memorable experience that Bee Nest Films will always cherish.

Shannon Beeby and Dean Fournier
Shannon Beeby and Dean Fournier
STAMPED talkback with David Newton and Shannon Beeby
STAMPED talkback with David Newton and Shannon Beeby

About STAMPED Film Festival

STAMPED: Pensacola LGBT Film Fest — was inspired by efforts of the LGBT community in the mid-1990s to highlight the impact of LGBT tourism. After certain local officials and business owners spoke out against gay and lesbian visitors, including annual Memorial Day weekend activities, which draw tens of thousands of people to the area, many LGBT residents and visitors began to stamp the cash they spent with the words “GAY MONEY” and/or a pink triangle. That year, Christopher Street South, a local LGBT publication, estimated that gay and lesbian tourists spent $25 million annually in the area.

The mission of the Pensacola LGBT Film Festival is to host an inclusive, entertaining event that not only serves to bring our local LGBT community together for four nights of fun, but also educates others in a way to spread acceptance and love throughout the Gulf Coast.