Categories
Film Festivals RSVP

Bee Nest Films at The Maui Film Festival

Six years after Ryan and I got married, we sublet our apartment in New York and spent two months living on the Hawaiian Island of Maui. We lucked out in finding a cabin in Makawao, a ranching town on the slopes of Haleakala, that rented for a little less than what we were getting for our place in NYC. Our jobs were remote and we continued to work while there, but our days were sprinkled with watching sea turtles surf in the reef break on the north shore, and hiking through the lunar lava landscape in La Perouse, and gathering footage in windswept sugar cane fields and ancient upcountry eucalyptus forests.

In the last week of our residency, we were purchasing gifts for family at a local shop, and we noticed our bill was much lower than what it should have been, when we asked, the shop owner told us that she had assumed that we were locals and had given us the coveted “ locals discount”. To say that Ryan and I were honored by this assumption was a real understatement.

We joked with each other, “ You know what we’re gonna do!? We’re gonna make a film and submit it in the Maui Film Festival and we’re gonna come back here some day! That’s what we’re gonna do!”

We said this, having never made a film.

We laughed and had a lot of fun with how “out there” this fantasy was.

And then, this May, we got a call from a Maui area code with the news that our crazy fantasy had become a reality. 6 years after our first experience in Maui we would be returning as guest of Maui’s magical and life-affirming festival to screen our first short film, RSVP,  an allegory that expresses our hope for people of faith to Fully Affirm the LGBTQ community.

After sleeping on the floor of LAX during our 8 hour layover, we arrived in Maui. And oddly enough, it felt like only a few months had passed since we were last there.

IMG_1160

That first night we attended an event hosted by the Maui Film Festival, called the Taste of Summer. Despite being pretty loopy from jetlag and traveling for the past 20 hours, we had smiles that couldn’t be wiped off our faces. Paradise has a way of doing that to you.

IMG_1134IMG_1117

We screened RSVP at the Castle Theatre at the Maui Arts and Cultural Center which was beautiful space.  And we were honored to screen before the feature length documentary STRIKE A POSE, which explores the journey of Madonna’s backup dancers during the height of the AIDS crisis.

P1030500 P1030452

There is truly an intangible magic to Maui, a feeling that I can only really ascribe to the fact that the Islands of Hawaii are still alive and being formed. Their continual birth, so far removed from the mainland and the rest of society, prompts you to undergo a similar expansion of self. Its natural beauty is almost confrontational, as if to say, “How can you not see all of this as the miracle and blessing that it clearly is?”  And so you take a good look, and become overwhelmed by how true that is: That you, and everything around you, is a gift.

P1030501 P1030449P1030695

Ryan and I drove the “back way” to Hana and came upon a historic church. We took the opportunity to hoist a Pride Flag in order to express our belief that Jesus would definitely make room at his table for the LGBTQ community. And that he implores us all to do the same. He told us what  his greatest commandments were. Now it is time for all Christians to really treat them as such.

P1030639 P1030575

Matthew 22:36-40

36 “Teacher, which is the greatest commandment in the Law?”

37 Jesus replied: “‘Love the Lord your God with all your heart and with all your soul and with all your mind.’38 This is the first and greatest commandment. 39 And the second is like it: ‘Love your neighbor as yourself.’ 40 All the Law and the Prophets hang on these two commandments.”

Categories
RSVP

RSVP: A Different Kind of ‘Coming Out’ Story

When writing RSVP I was struck by the realization that a single patriarch or matriarch of a family can make a decision or enforce a belief that can cause immense pain for everyone else in the family. Our short film RSVP deals with the long term ramifications of a father disowning his gay son. This one decision sends lasting shock waves far beyond the character of STEPHEN. Even though he was the one cruelly cast off, he is certainly not the only one being made to suffer.

I was inspired by a real life situation that my best friend, Dean, shared with me. The man he was seeing at the time had been disowned by his father for being gay. Visions of the multifaceted pain that would come from being cut off from your family, for decades, perhaps a lifetime, began to swirl in my mind. It is hard to fathom the scars on a person’s psyche incurred by being disowned by the very people entrusted with unconditionally loving you. I began to also be affected by what the suffering of the family unit itself would be, particularly the siblings who had no control over such a decision and were then forced to live without the presence of their loved on in their life. Layers of grief and loss incited by one act of insufficient love.

This is when the family unit began to represent something larger to me. A microcosm of a congregation, a community, a religion, a society.

How many congregations have become less vibrant, less of a true representation of the fellowship Jesus chose to commune with on a daily basis, because certain people were being made to feel unwanted and unloved? How many towns lack diversity and the spectrum of personalities present in the world because those unique voices didn’t feel comfortable living and thriving there? How many religions are losing the faithful in droves because they are being told that being the way God created them is a damnable sin? How many more faithful drift away from the church because they do not feel the leadership’s interpretation of the word reflects what they understand to be God’s grace and Jesus’ unconditional love? And how has each of these individual losses coalesced to form a chain reaction that is present in our societies’ current list of moral shortcomings? These questions gnaw at my mind.

There have been huge strides made in the pursuit of equality and justice thanks to the tireless efforts of LGBTQ activists and allies, like John Pavlovitz and Believe out Loud. But those strides have been almost completely contained to the secular sector.

With the film RSVP, I wanted to plant a seed of hope for a new generation of religious leaders to truly embrace the accepting, loving, and compassionate values that Jesus himself modeled. And I believe that for such a transformation to take place, individual members of the faith community will need to bravely stand up and support the inclusion and acceptance of LGBTQ people into their congregations. My hope is that these faithful people are called to speak out in support of the sanctity of marriage being rooted in the spiritual quality of the union of two souls, and not on the sex organs of the parties involved.